Pieces from the collection are available at The Rapture Gallery, Harrogate and HG4 Gallery, Ripon


Welcome to the blog and this collection of original artwork inspired by The Lord of the Rings and J.R.R Tolkien's wider mythology of Middle-earth. Aside from the influence of Director Peter Jackson's film trilogy (2001-2003) inspiration is also drawn from the highly regarded Tolkien illustrators Alan Lee and John Howe, and the magnificent musical score written for the film trilogy by Howard Shore. From Mordor to the Misty Mountains combines landscape, miniature-scale and composite photography to illustrate locations, dramatic scenes and characters from the enduringly popular stories.

Items in the collection are available to purchase from The Rapture Gallery in Harrogate, North Yorkshire (see image link below right to go direct to The Rapture website)

Ammended prices and available sizes to be updated soon...


Copyright of all images belongs to John A Cockshaw

1.5.13

Publishing project with Oloris announced for 2014

 


Wrath, Ruin and a red Nightfall

At the close of February I was invited by Lara Sookoo along with Gerda Marz of Oloris Publishing to collaborate on a book release for their Oloris Art Series.  Now, after a couple of months and time spent organising much content, Oloris have officially announced this upcoming release (scheduled for 2014) via their website and social media.

Without doubt it is an extremely exciting opportunity and I look forward to the months ahead being involved in the development stages and the impending release.

The full press release can be read here

28.4.13

Work selection on show at Sarehole Mill, Birmingham

It gives me great pleasure to post a selection of photographs of the exhibition currently on at Sarehole Mill in Birmingham.  With huge thanks to Irene de Boo curator/manager of the site for Birmingham Museums and Art Gallery (BMAG) the preparation for this display has been ongoing since November shortly after this blog was set up.  A selection of prints are to be found in the cafe area and within the working environment of the mill itself.

The links the site has to the work and life of J.R.R Tolkien cannot be underestimated as the author lived nearby as a child and to the adjoining location of Moseley bog which both exerted an influence on his crafting of The Lord of the Rings.  The site works wonders with the space it has, and much of it is dedicated to beautifully presented information about Tolkien provided by BMAG.

After a massive restoration process the site is now set up as a working water mill, and combined with its superb Tolkien museum elements the mill is a great spot for any fan of Tolkien.  I am extremely proud to be associated with the site via my exhibition which continues until the end of October.

Its annual Middle-earth weekend (free to the public) runs 11th-12th May this year from 11am-5pm










23.4.13

Footsteps of doom...


Land of Ash and Smoke


Source photographic elements: Macro photography and miniature elements of East Devon coast


“Slowly the light grew, until it was clearer than it had yet been. A strong wind from the West was now driving the fumes of Mordor from the upper airs.  Before long the hobbits could make out the shape of the land for some miles about them.  The trough between the mountains and the Morgai had steadily dwindled as it climbed upwards, and the inner ridge was now no more than a shelf in the steep face of the Ephel Duath; but to the east it fell as sheerly as ever down into Gorgoroth.”

The Return of the King Chapter II The land of shadow p.927
The Lord of the Rings Book VI (J.R.R Tolkien)

Towards a deathly path...


Darkest door of the mountain


Within the Darkest door



Source photographic elements: miniature-scale elements taken at Fraisthorpe Beach, East Yorkshire


Do not enter through that door
Nor peer down those passages
To the grim grey half light within
For something deeply down dwells
In the darkest place
A deathly doom
Is all that awaits

“The horses would not pass the threatening stone, until the riders dismounted and led them about.  And so they came at last deep into the glen; and there stood a sheer wall of rock, and in the wall the Dark Door gaped before them like the mouth of night.  Signs and figures were carved above its wide arch too dim to read, and fear flowed from it like a grey vapour.”

The Return of the King Chapter II The passing of the grey company p.786
The Lord of the Rings Book V (J.R.R Tolkien)


A travelling tiny trinket: a study of The One Ring


To grasp the ring



It lives in the darkness of shadow
At the mercy of no-one
Travelling only from hand to hand
Toward its master’s grasp



Out of the shadows



Study 1


Study 2



As attached as everyone is to their wedding ring I called upon mine to stand-in for the powerful One Ring...or should I say I thrust it into service for a series of photographs seeking to portray the very nature of the ring's presence in the mythology.  It captivates; threatens; instills fear, lust and greed for mastery; frightens; corrupts; ensnares the weak-minded; creates obsession; and ever seeks its own return to Mordor.  Visually it's returning revolutionary form also provides much beautiful description and imagery to work from. Rarely has an evil power been so seductively presented.  

Much care was taken in the handling of this precious item in the course of photographing it.





Ahead lies adventure


The season that kindles adventure



In the company of Autumn


Source photographic elements: North Yorkshire moorland

A need to venture far from home
Is pressing high above all other tasks
But let hesitation have its short hour
For ahead but a short distant is Autumn
With air that kindles a sense of adventure

“Bad End seemed a more desirable residence than it had for years, and he wanted to savour as much as he could of his last summer in the Shire.  When autumn came, he knew that part at least of his heart would think more kindly of journeying, as it always did at that season.”

The Fellowship of the Ring Chapter III Three is company  p.65
The Lord of the Rings Book I (J.R.R Tolkien)




16.4.13

Bilbo had escaped only just in time...


Swift escape from furious fire


Source photographic elements: Woodland photography near the River Laver in Ripon, North Yorkshire and fire elements taken from photographic studies whilst at Kilham, East Yorkshire

“A few eagles were still circling and sweeping above the battle-ground.  The flames about the trees sprang suddenly up above the highest branches.  They went up in cackling fire.  There was a sudden flurry of sparks and smoke.  Bilbo had escaped only just in time.”

Chapter IV Out of the frying-pan into the fire p.125
The Hobbit (J.R.R Tolkien)

The suggestion of tormenting wolf eyes lurk in the lower darkness of this composition whilst angry fire spreads upwards through the trees to reveal a distant hint of the battleground this scene has just been.  The eagles of Middle-earth have carried away the company of dwarves and all away to safety from this scene, with the last eagle just seen making its swift exit with its burden.

Swift escape from furious fire (detail)





A disturbance at dusk...


Dark riders in a fair land


Source photographic elements: Woodland photography near the River Laver in Ripon, North Yorkshire and horse and rider elements photographed in Tunisia.

“In the lane the noise of hoofs broke out, and gathering to a gallop, went hammering away into the darkness...the Black Riders rode like a gale to the North-gate...They rode down the guards at the gate and vanished from the Shire.”

“Frodo soon went to sleep again; but his dreams were again troubled with the noise of wind and of galloping hoofs.”

The Fellowship of the Ring Chapter XI A knife in the dark p.177
The Lord of the Rings Book I (J.R.R Tolkien)

The nine riders of the enemy are assembled here in a hazy half-light presenting a dream-like vision of evil.  Whether they are tormenting images within a characters dreaming subconscious, or a menacing reality galloping stealthily from a peaceful land it is certain that doom and death is all they are intent on dealing.

15.4.13

A refuge of hill, wood and water: 3 pieces inspired by verse in J.R.R Tolkien's The Lord of the Rings

O wind on the waterfall


Source photographic elements: Austrian landscape photography


Woodland water



Source photographic elements: Woodland photography near the River Laver in Ripon, North Yorkshire



“Rain may fall and wind may blow,
And many miles be still to go,
But under a tall tree I will lie,
And let the clouds go sailing by”

The Fellowship of the Ring Chapter IV A shortcut to mushrooms p.90
The Lord of the Rings Book I (J.R.R Tolkien)

“O! Sweet is the sound of falling rain,
and the brook that leaps from hill to plain;
but better than rain or rippling streams
is Water hot that smokes and steams...
O! Water is fair that leaps on high
In a fountain white beneath the sky”

The Fellowship of the Ring Chapter V A conspiracy unmasked p.101
The Lord of the Rings Book I (J.R.R Tolkien)


The charmingly entertaining songs and verse found frequently in Tolkien’s writing adds great depth to the landscape and history of Middle-earth, painting an ever wider picture also of the various peoples and cultures it references.  The chosen extracts here give little history of race or deed but offer thoughts on the simple pleasure of the weather, water and the countryside, and are are sung by hobbits for who the joys of such things are very close to the heart.


Lower land of the river valley




Source photographic elements: Woodland photography in Austria with horse and figure elements photographed in the Sahara desert, Tunisia

This third piece offers a glimpse of travelling elves and the poetry here is composed by myself in response to the imagery

Wanderers rest under welcoming trees
In this fairest of fair far lands
For a long while in this wooded spot
Forgetting the weariness of the road

Together in this light dappled dwelling
They make merry with long laughter and song
And hearty fill of fine food and full drink
Reaping the wealth of the riches of rest

Night will eventually pass into morning next
And a return to the road, their journey renewed
To arrive late in the day by evening almost
Upon the threshold of the last homely house



24.3.13

Alone in the depths...

A cavern in firelight

Grim firelight coming from afar or hopeful sunlight at the end of the tunnel?  Depicting a haunting subterranean location was the intention here with a lost and lone figure crouched to the lower right.  The scene is very much open to interpretation, it might very well be Bilbo before or after his finding of the ring and encounter with Gollum.  Perhaps it could be another moment altogether.  The emphasis is on giving character to the deep dark terrain below the surface of Middle-earth where all kinds of terrible things and fates lurk...

Source photographic elements: Fraisthorpe beach, East Yorkshire and stone/rock studies taken in Tunisia and the Sahara desert (April 2010)

At the upper levels of Middle-earth...

A Prey bird on high

This prey bird of Arda
Perches on high
At the uppermost levels
Where the winds heavily sigh

Eagle-friend, known to Ravens
It watches from a remote haven
Dispatcher of news and silent sentry
Into untold stories it will make entry

For now all is calm 
Quietness reigns
His sight reaches far 
All senses aflame...

The inspiration for this piece in not so much Tolkien's text but the views that I have from my high office at work and the sprawling vistas over the moors and countryside of West Yorkshire and the imposing rocks nearby at Ilkley.  This bird, being neither eagle nor raven, inspired me to write the accompanying poem of a lone sentry-like bird high above Middle-earth.

Source photographic elements:  Ilkley Moor, West Yorkshire and photographic stone studies taken in North Yorkshire.  The bird (unidentified) was photographed on Ilkley moorlands near the 'Cow and Calf' rock formation March 2013 

3.3.13

So much fear and doubt over so small a thing...

A secret only fire can tell... (2 variations)




'To Frodo's astonishment and distress the wizard threw it suddenly into the middle of a glowing corner of the fire.  Frodo gave a cry and groped for the tongs; but the wizard held him back...No apparent change came over the ring...The room grew dark and silent...then he stooped and removed the ring to the hearth with the tongs, and at once picked it up.  Frodo gasped.'

Chapter II The Shadow of the Past p49-50
The Lord of the Rings (J.R.R Tolkien)


The Forging of The One Ring



Source photographic elements: Macro fire and ring photography


25.2.13

Smaug the Chiefest and Greatest of Calamities


'He issued from the Gate, the waters rose in fierce whistling steam, and up he soared blazing into the air and settled on the mountain-top in a spout of green and scarlet flame...The horrible sounds of Smaug's anger were echoing in the stony hollows far above...A whirring noise was heard. A red light touched the points of standing rocks. The dragon came.'

Chapter XII  Inside Information  p.252-253
The Hobbit (J.R.R Tolkien)

Source photographic elements:  Mountain and macro photography taken of the Austrian Alps, with Smaug composed from various miniature elements

18.2.13

Far into the Lone-lands...

The Lone-lands (leaving hobbit-lands behind)


'Now they had gone on far into the Lone-lands, where there were no people left, no inns, and the roads grew heavily worse.  Not far ahead were dreary hills, rising higher and higher, dark with trees.  On some of them were old castles with an evil look, as if they had been built by wicked people.  Everything seemed gloomy, for the weather that day had taken a nasty turn'

The Hobbit (J.R.R Tolkien)  Chapter II  Roast Mutton

Over the Misty Mountains to the land beyond...

The Ascent of the Misty Mountains (Over hill and under hill)


The Ascent of the Misty Mountains (Over hill and under hill) 2nd variation


'Bilbo had never seen or imagined anything of the kind.  They were high up in a narrow place, with a dreadful fall into the valley at one side of them'

 The Hobbit  (J.R.R Tolkien)  Chapter IV  Over hill and under hill

22.1.13

Mines of Moria makes the cover of Review Ripon

Thanks to Claire Slee editor of Review Ripon for the invite to have The Mines of Moria feature on the front cover of the magazine's February issue.

Of note to local Tolkienists and readers of this magazine will be the photographic references to the architecture of our local Spa Baths in the piece.


Meanwhile, work continues behind the scenes in preparation for Easter when From Mordor to the Misty Mountains will be going on display at Sarehole Mill in Birmingham.

A site of beauty, currently undergoing renovation, and a Tolkien fan's treasure trove the Mill is a key location in Birmingham's link to J.R.R Tolkien.

More details soon...

11.1.13

Beautiful North Yorkshire: Tolkien about John's work

Many thanks to editor Mervin Straughan of Beautiful North Yorkshire for this great piece published online yesterday. The article details the focus I placed on many of the beautiful local areas for my interpretations of Middle-earth. A good mention also about the fact that a selection of work is now available at the HG4 Gallery in Ripon in addition to The Rapture Gallery.


4.1.13

News interview with ITV Tyne Tees 3rd Jan 2013

Yesterday was the day that Tolkien fans the world over celebrated Tolkien's 121st birthday, and by a very lucky turn of events it was also the day that I was approached by ITV Tyne Tees covering the North-East of England to do a TV feature about my collection of Middle-earth Art.

http://www.itv.com/news/tyne-tees/2013-01-04/tyneside-transformed-into-middle-earth/

2.1.13

Article in the Northern Echo (Tees valley and North Yorkshire) 31st December

Huge thank you to Reporter Emily Flanagan of the Northern Echo for contacting me and running this great article in the paper on Monday 31st December. It should be appearing in the Darlington & Stockton Times too on Fri 11th Jan. Another great piece of exposure!

Next up, ITV (Tyne Tees) regional news are coming to film a short piece on Thursday 3rd Jan - well timed as this is when Tolkien fans the world over gather in spirit to celebrate J.R.R's 121st birthday!

More to come on this soon...

20.12.12

Speak, friend, and enter...

The riddle at the Doors of Durin (The Walls of Moria)
Source photographic elements: miniature-scale photography at Fraisthorpe Beach, East Yorkshire and woodland elements in Ripon, North Yorkshire. Figures derived from photography taken on an expedition up Tryfn in Snowdonia National Park

On the edge of Mirkwood...

Dol Guldur (The Hill of Sorcery)
Dol Guldur (The Hill of Sorcery) 2nd variation
Source photographic elements: Botallack near St. Just in West Cornwall, The Great Flot Lode Trail nr Camborne in Cornwall and Austrian landscape near the Italian border

14.12.12

Cornish press say 'Look closely and you might see Bilbo Baggins!'

Cornish newspaper West Briton and website This is Cornwall feature 4 images from the collection that take specific inspiration from the rugged Tolkienesque landscape of West Cornwall with a nice little artist quote by myself

Many thanks West Briton and This Cornwall!

http://www.thisiscornwall.co.uk/Look-closely-Bilbo-Baggins/story-17574770-detail/story.html

Yorkshire Tolkien artist in local North Yorks press

Thursday 13th December: A page 4 feature in the Harrogate Advertiser and Ripon Gazette puts the focus on the local landscape I've used when finding influence to create pieces from the collection. Here Minas Tirith, featuring a hero shot of St. Peter's Church in Harrogate, gets a nice prominent picture.

7.12.12

A message makes its way across Middle-earth...

The Lighting of the Beacons

Source photographic elements: Mountain photography in Innsbruch, Austria with additional fire elements

2.12.12

Publicity feature on On:Yorkshire magazine website

My campaign to build a reputation as Yorkshire's Tolkien artist continues with a nice feature and image gallery on the website of the cultural magazine On:Yorkshire. Thanks to editor Matt Callard for liking the Yorkshire link in the art and the quick turnaround of the article on Friday afternoon. The link can be viewed below: http://www.on-magazine.co.uk/2012/11/yorkshire-tolkien-artist/

26.11.12

November addition #2 Variations on a theme of Minas Tirith

Minas Tirith, Citadel of Gondor
Minas Tirith burns under the watch of The Nazgul

Source photographic elements: Cligga Head near Cape Cornwall, Carn Brea near Redruth in Cornwall, Ripon Cathedral, Nottingham Castle and St. Peter's Church, Harrogate.

November addition #1 A Knife in the Dark...

The Ringwraiths arrive at Bree
Finally finished, this scene of approaching night-time doom in the sleepy location of Bree matches the forbidding menace that I had in mind.

Source photographic elements: The market square of Ripon and historic buildings near Nottingham Castle. The Ringwraiths are composed from photographic horse and rider elements taken in Tunisia.

19.11.12

Fantastic coverage arrives courtesy of TheOneRing.net

Excitement had been mounting steadily...and then on Sunday the 18th November a news article and artist interview arrived, going live on none other than theonering.net the fan site for and forged by fans of J.R.R Tolkien. It's fantastic to get this kind of coverage for the work amongst a community of Tolkien fans - simply thrilling!
The full news article and artist Q&A can be read here.

10.11.12

Online news feature courtesy of www.thehobbitmovie.co.uk - a fansite

Read the feature here and their link to my work on their Facebook page. A very enjoyable interview to do and a superb opportunity to have the work exposed to LOTR and Hobbit fans. The organiser of the site will shortly be featured in an article in The Independent concerning Hobbit-related events for fans in anticipation of the first new film opening here in the UK.

My artist page has now been updated on The Rapture Gallery website to accommodate the collection and its availability. Please note, work will not be on display at the venue until the end of November / start of December but is available to purchase anytime through the site.

7.11.12

Arrival of first set of prints from the collection

The first set of 6 Fine Art prints from the collection are ready and waiting to go to The Rapture Gallery in Harrogate, a local gallery with a range of distinctive work by artists in the locality. These should be at the gallery some time at the back end of November after the current one-man show comes to a close (date tbc)
Seen here with the prints is a framed set of 3 images with further framed variations to follow
A specially printed brochure for From Mordor to the Misty Mountains to supplement the edition of my main artist brochure (to be updated shortly for 2013)



5.11.12

Insight into working process: 'before and After' comparison #1

November is here, The Hobbit: An Unexpected Journey is a short wait away and excitement for Tolkien fans is building. Exciting things are happening also and in the pipeline for this very collection, but more about this will be revealed later. Whilst I'm busy at work with some new additions for the From Mordor to the Misty Mountains collection, I thought a post revealing an aspect of my working process might be of interest:
Lost in Emyn Muil
Miniature-scale photography is a key component of the compositions and will often form the root that everything else is built upon. For Emyn Muil this photograph of tree-bark immediately took on an impression of a vertiginous mountain ridge, and a perfect foundation to create a scene of Frodo and Sam's struggle over this desolate terrain.
Aftermath at Isengard and The Tower of Orthanc
With the Tower of Orthanc, a rusty post wedged in the sand on Saltburn Beach in Yorkshire provided a hint of a likeness to Saruman's dwelling. Care was taken in the final image to mask the look of rusted metal as The Tower of Orthanc is indeed built of stone. However, this problem is somewhat solved by the scale issue anyway.